USA Today HEA interview

In spring of 2016, I had the good fortune to be featured on USA Today’s HEA blog in an article on historical mystery series with strong romantic elements! Since there were eight authors referenced in the article, everyone’s interview had to be abbreviated due to space constraints. I’ve included my entire interview below; if you’d like to read the HEA blog entry (I’ve been told it was one of the most popular they’ve ever done, and was shared more than 1,400 times!), you can read it here

1) Did you plan from the start to include the romantic element in your book or series, or did it evolve in the writing of the stories? If the former, why? If the latter, at what point did you realize this element would be significant to the book/series?
Yes, the romance was a big part of the series from the very beginning. I’d had success with “across the tracks” romance in my self-published Regency romance The Weaver Takes a Wife, so when I got ready to develop a mystery series, I decided to go back to that particular well, in this case pairing a young and inexperienced (in more ways than one) Bow Street Runner with the widowed viscountess who is his chief suspect in the murder of her husband (Book 1, In Milady’s Chamber). I knew from the first that I was asking readers to suspend a great deal of disbelief in accepting that a Bow Street Runner, even a young and handsome one, might become romantically involved with an aristocratic lady. In fact, I felt this scenario was well-suited for a series, as it would allow for the gradual development of a relationship that might be difficult to pull off in a single title.

2) Does the romantic element develop over several books or is it strong from the start?
It seems a bit sacrilegious to mention my own books in the same sentence as Dorothy L. Sayers, but at the risk of sounding presumptuous, the relationship between Lord Peter Wimsey and Harriet Vane was my model, as far as developing the romance goes. In the first book, the attraction is all on John Pickett’s side. Julia, Lady Fieldhurst is far more concerned with saving her neck from the gallows, but even aside from that, a woman of her class would never think of a man of his station in those terms. It was interesting to see reviewers’ response to this one-sided attachment. One reviewer said, “If you’re looking for a romance, you won’t find it here,” while another said, “The romantic tension crackles, because absolutely nothing happens”!

3) What is the relationship between the protagonist and the significant other, and the role of the significant other in the story? (Are they partner sleuths, or is the “other”, while involved in the story, not one of the primary investigators? If you are writing a series, does your protagonist have only one significant other, or are there a series of them?)
In the first book, he was investigating her husband’s murder, and she was the primary suspect. In the later books, they keep running into each other—sometimes coincidentally, other times not. Because of her social position, she can go places that he can’t, and ferret out information from people who might refuse to talk to him. The most recent book, Dinner Most Deadly, found them at cross purposes for the first time, with Julia reluctantly agreeing to protect her best friend’s estranged husband, who is a suspect in the case Pickett is investigating. And it makes her miserable, which goes a long way toward making her realize just how important he has become in her life.

4) If you are writing/have written a series, how is the romantic element maintained after the couple marry or otherwise have a meeting of the minds on their relationship?
I don’t want to give away too much detail here, because the book that resolves the relationship has not yet been published. Suffice it to say that I’d expected the series to end once that resolution came, but after writing that book, I realized that the daily challenges of making such an unequal match work offered plenty of opportunity for conflict—and comedy—that deserved to be explored.

5) Do you think the romantic element is important to the marketing of your books? Is it featured, by either you or your publisher, in the marketing materials? If not, do you know why?
I think it’s very important—in fact, I doubt if there’s a single person who reads my books strictly for the mystery! While my publisher markets the John Pickett series as part of its mystery line, I write my own copy for the cover flap, and I make sure to mention the issues within the developing relationship as well as the mystery. I also promote it on romance review websites, and next month I’ll be attending the Romantic Times conference for the first time.

6) There are historical romances with strong suspense of mystery plots. How are those different from the books that you write?
The most obvious difference is the fact that my series follows the same couple over a number of books—and that, four books into the series, the romance is still unresolved and unconsummated. I also think my books contain more humor than the historical romances with mystery or suspense elements, which seem to deal with darker themes and/or tortured characters. I don’t do tortured characters; John Pickett is rather like a Regency “Chuck” (from the titular character of the TV series, portrayed by Zachary Levi) in that he’s brilliant but utterly lacking in self-confidence.

Patrick Colquhoun, London magistrate

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Some of my favorite comments from readers regarding the John Pickett mystery series concern the father-son relationship of Pickett and his magistrate, and how much the reader enjoys it. In fact, of the questions I’m asked most frequently about the series (aside from the obvious ones about if, when, and/or how Pickett and Lady Fieldhurst will ever get together), several concern the character of Pickett’s magistrate, Patrick Colquhoun. Readers want to know how his name is pronounced, and why I chose to give a character such a difficult name. To answer the first question, according to Debrett’s Correct Form, the name is pronounced “Ca-HOON,” at least in the United Kingdom.

 As for the second question, I chose it because Patrick Colquhoun was a real person, and a real magistrate at the time the books are set. And while I could find no evidence that he ever served in that capacity in Bow Street (in fact, my research sources place him at Queen Square), certain aspects of his life dovetail so nicely with that of John Pickett that I thought he would make a good mentor for my fictional Bow Street Runner.

Patrick Colquhoun was born in Dumbarton, Scotland, on 14 March 1745 (making him 63 years old in 1808, where the John Pickett mysteries begin). He was orphaned at age 16, and traveled to the British colony of Virginia to seek his fortune. He returned to Scotland in 1766 and settled in Glasgow, going into business for himself in the linen trade. When war broke out in the colonies ten years later, he joined with thirteen other Glasgow businessmen in financing a local regiment, contributing £100 of his personal funds to fight the colonists—possibly one of the few bad business decisions he ever made.

In 1775, at age 30, he married Janet Colquhoun, a distant cousin. They had seven children, but only four—one son and three daughters—lived to adulthood.

Patrick Colquhoun was a keen collector of statistics as well as a prolific writer, first on economic issues and later on topics relating to crime. His economic activities in Scotland—he formed the Glasgow Chamber of Commerce and Manufactures, and served as its first chairman—brought him into contact with political circles, into which he was soon throwing his considerable energy. He moved his family to London in November 1789, and was appointed as a Police Magistrate in 1792.

His first reform efforts involved trade on the River Thames, where an estimated half-million pounds worth of cargo was stolen every year. Colquhoun made the shocking claim that fully one-third of the 33,000 river workers were known criminals who were in on the take—a claim which seemed to be confirmed when a mob attempted to burn down the office of the newly formed Thames River Police.

The English people were suspicious of a standing police force, citing abuses by the police in France. By couching the debate in pragmatic terms, often as a matter of cost-benefit, he was able to allay many of these concerns, leading eventually to Robert Peel’s Metropolitan Police in 1829. Of Colquhoun’s many books and pamphlets, perhaps the most significant was his Treatise of the Police of the Metropolis, which emphasized the ineffectiveness of the old London “charlies” as a deterrent to crime.

Patrick Colquhoun retired from his magistracy in 1818 and died two years later on 25 April 1820, at age 76. He is revered in England as a police reformer; in fact, the Metropolitan Marine Police—the modern incarnation of the Thames River Police—has a police boat named the Patrick Colquhoun.

One biographer notes that “although Mr. Colquhoun bore externally a somewhat pompous and domineering aspect . . . there never, perhaps, was a heart more alive than his to the domestic interests of the poor, or a mind more actively bent upon improving both their physical and moral condition.”


On the Trail of John Pickett in London

I recently had the pleasure of going on a cruise on the English Channel—stops in Rotterdam and on the island of Guernsey, culminating in a couple of days in London before heading back home. This was actually my second visit to London. During the first, thirteen years ago, I’d concentrated on places that would have been fashionable during the Regency period, including day trips to Brighton and Bath.

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But that was before my reinvention as a mystery writer. This time around, I decided to focus on places that would have been familiar to John Pickett. The logical place to start, then, was Bow Street, where he and his fellow Runners were based, and Drury Lane, where he hired rooms. (Warning: You may notice that I refer to my characters as if they are/were real people. I’m sorry if this strikes you as pretentious or silly, but I don’t know how else to do it—they ARE real to me!)

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Anyway, my husband and I set out early Tuesday morning, navigating the Tube until we reached Bow Street. We hadn’t walked far until we came to the Bow Street Magistrates’ Court, where I was determined to have my picture taken! Pity my poor husband, who admits he is no photographer: I made him take this picture
four times before he got one that suited me!


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Next, we walked northeast to the upper end of Drury Lane and began following it southeast. I already knew that I wouldn’t find John Pickett’s hired lodgings; besides the fact that I made them up out of whole cloth, the entire lower end of Drury Lane was razed around the turn of the 20th century to make room for the area now known as Aldwych. For the sake of my trip, this might have been a good thing: better, surely, not to find it at all than to discover I’d gotten it wrong! In fact, there was a theatre situated just about where I’d pictured Pickett’s flat as being located—and that theatre was staging a production of Top Hat, based on the Fred Astaire-Ginger Rogers musical of the same name! Later that day, we rushed off to Leicester Square and bought tickets, and returned to Drury Lane that night to see the show.

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But that’s a subject for another blog. I took a picture of the Drury Lane street sign, just to prove I had really been there, and we continued
southwest along Russell Street past the Theatre Royal in Drury Lane. Just to show what a good sport my husband is, when I told him that this theatre was the one built in 1812, he said, “Oh, is that the one that replaced the one you burned
down?” Naturally, I replied with an enthusiastic “Yes!” (In fact, the theatre did burn in 1809, which is a major plot point in the as yet untitled John Pickett mystery #5. But we sure gave all the other tourists something to think about!)

We had a few extra hours that afternoon, so we spent them walking up and down many of the streets my Regency characters would have known. This may not have meant much to my husband, but it was a real kick in the pants for me to see the street names and say, “Oh, look, Mike! Audley Street! Lady Dunnington lives there!” (Have I mentioned what a good sport Mike is?)

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One of the places we walked through was Berkeley Square. Those who have been following the John Pickett mysteries from their beginning (In Milady’s Chamber) may remember that it is in the Fieldhurst town house in Berkeley Square that Lord Fieldhurst is murdered, leaving Lady Fieldhurst (a) a
widow; and (b) a suspect in her husband’s death. It is here that John Pickett first sees her and is instantly smitten. Now, as I looked around Berkeley Square, I found this house and
decided it looked like it might have been the one.


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Finally, we returned to our hotel, which happened to be located just around the corner from New Scotland Yard—appropriate enough, since it was the Metropolitan Police Service, formed in 1829 and headquartered at Scotland Yard, that eventually replaced the Bow Street force.